Oracle Shift (Full Version)

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Alixander Fey -> Oracle Shift (2/10/2010 6:18:16)

ORACLE SHIFT


1.


The man in black hunched over the building's ledge, long coat fluttering in the wind. Using the coat as cover, he drew a pistol and cocked it.

Metal screeched and a door opened. Three sets of feet clamored up the staircase and onto the roof. The man in black saw red lights dance around him as they trained their pistols.

"Stand up," one of the officers said. "Put your hands up."

The man in black took the tiny syringe and pressed it into his palm. Serum burned like fire as it mixed with his blood.

"Stand up, you dirty thief. Stand up or I'll shoot." His voice shook and the man in black knew his gun was shaking, too.

Finally the officers fired. Four thunderclaps hammered his ears.

The man in black turned and Pulled, using the extra time to raise his gun. Four bullets spiraled towards him, slowed by his Pull. A heartbeat. He studied the bullets as they flew, then aimed and fired. Another heartbeat. Three more shots. Bullets and bullets collided in slow-motion, metal casings rippling with impact.

When his Pull faded eight bullets clanked to the ground.

Before the officers could gasp, the man in black lunged forward. His fist caught a neck, dropping the man, then a wrist. He twisted the arm back and chopped the shoulder. The third officer raised his pistol, but the man in black crouched, clenched his fist, and Pushed. Before he drew a breath he punched the officer's gut. His fist pierced body armor, then flesh, then armor again as it protruded from his back.

Blood covered his hand as he wrenched it from his victim. When the officer fell, the man in black saw a woman in red whose jacket might have been the same shade as the blood. She leveled a pistol and fired.

The man in black Pulled and shot the bullet, then lowered his gun. She walked around him and knelt by the ledge. "T-r46," the woman in red said. "Does it work?"

The man in black drew second pistol from his belt. "I'll say."

"Can you see?"

Instead of answering he shot her. The woman in red Pushed and sidestepped the bullet. Then she charged.

Dropping to a crouch, the man in black Pulled and dodged her attack. He caught her arm and wrenched, then Pushed and kicked her.

The woman in red staggered. When she tried to catch her balance, she slipped on the empty syringe and toppled over the edge.

The man in black ran to the ledge and peered over. But the woman in red was gone. She had Pushed and survived.

2.

The man in black wore kakis and a blue shirt. He crouched beside the office girl, peering over her shoulder and pressing his gun to her thigh. She trembled as her fingers danced along the keyboard, burrowing through Archive records forbidden to her.

The security wall stopped her again. The man in black provided a code and she hacked it. A list of names scrolled down the screen, some in green letters and some in red. While she worked, the office girl tried to make conversation as if she weren’t a hostage. "Are you robbing Archive?"

Glancing at the name plate on the desk, he said, "Ashley, don't be stupid. I'm not robbing anyone."

Hearing her name unnerved her. "No one cares about Archive's biochemicals unless they're trying to steal them."

"I'm different."

"How? Bioweapons serve no purpose but—"

"I'm one of the weapons," he said." Then: "There." He pointed to one of the names. "That's me." She clicked the letters and a new screen opened.

WRIGHT, JASON EDWARD
SEE PROJECT ORACLE

The screen hazed with static and Jason cursed. "We're in the Shift files?"

Ashley shivered and pointed towards the heading above the screen: PROJECT SHIFT. Jason cursed and pulled his gun away. “What is Oracle?”

Her fingers shot across the keyboard, activating another security wall. His code broke it and she opened a page titled PROJECT ORACLE. Twenty-seven names scrolled down from the list, some in red, some in blue—and one in green. WRIGHT, JASON. The man in black with kakis and a blue shirt frowned. “What do the colors mean?”

She clicked a blue name.

DAMA, RICHARD MICHEAL
PROJECT ORACLE 12-34522-DA1

Jason reached over her and took the mouse, then clicked backward. Then he selected a red name.

SMITH, MARK CARSON
PROJECT ORACLE 47-23119-CR5
FINAL TREATMENT: 12.5.2009
PATIENT TERMINATED

Ashley took the mouse now, and clicked Jason’s name.

WRIGHT, JASON EDWARD
PROJECT ORACLE 11-48492-CL1
FIRST TREATMENT: 12.31.2008
SECOND TREATMENT 4.23.2009
THIRD TREATMENT 8.1.2009
FOURTH TREATMENT 1.18.2010

Then, a link at the bottom of the page.

PATIENT COMPLICATION
CRIMINAL ACTIVITY REPORT 6A115

She returned to the main page and scanned the list again. “Dang it. You’re the only one alive.”

He read the list with her. One of the names caught his attention: STRIDER, NAOMI MARIE. Her name was blue. He cupped a hand beneath his chin and mused. “The only one. I can’t believe I’m the only one.”

Ashley squirmed uncomfortably. “You’re a shift?”

“Apparently not.”

“Push or Pull?”

He coughed. “Both.”

She spun in her chair. “That’s impossible. You can’t be both.”

He tapped the screen. “Apparently there’s one exception. Me.”

“Is that what the treatments do?”

Jason jammed the gun in his belt. Then he turned towards the office floor’s largest door. “I suppose you’ll be arrested for helping me. Even if you tell them I kidnapped you, it won’t help.” He moved towards the door; then a quiet ping stopped him.

Elevator doors on the left wall opened and two men in white shirts and black ties stepped through. Before Jason could react they drew pistols and fired.

Ashley screamed and dove to the floor. The bullets rocketed over her and splintered into her cubicle walls. The suited men fired another volley, but Jason Pulled. He watched the bullets roll and whirl, twisting slowly through the air—and fired. Bullets screeched and clanked to the floor.

The men turned to Jason. The taller, stronger looking one disappeared.

Rushing forward, Jason emptied his clip at the second man. Time warped as the man Pulled, dodging the bullets without moving his feet. Before he could reload, the Push tackled him.
Jason rolled away from the man, crouched, and Pushed forward. He lashed with a knife-kick, then danced left as the Push rolled right. The man punched low, then high, moving with blurring speed and striking with pounding force. Jason Pulled and stepped back, watching the man (whose Pushed actions grated against his Pull to move at almost normal speed) and fluttering around his attacks. Finally he charged too far. Jason grasped his wrist, hooked a foot behind his ankle, and hurled the man over his shoulder.

The time Pull fired just as the Push crashed against the floor. Jason Pushed and dodged the bullet, then leapt on the wall of the nearest cubicle. He flared his Push again and charged.

The Pull by the elevator aimed carefully. His bullets whirled in dizzying spirals, but Jason moved faster. Finally reached the end of the line of cubicles and leapt, drop kicking the Pull.
He tried to slow time and dodge the attack, but Jason was faster. He leveled the man, then Pushed a fist through his chest.

Wiping the blood off his hand, Jason regarded Ashley. She sat hunched against a cubicle wall, hugging herself and trembling. Instead of meeting his eyes she stared at his bloody hand. “You just… You just…”

He clenched his fist and walked towards her. “Are you all right?”

She squirmed away. “You’re not a shift. I’ve never seen a shift move like you.”

He ran a hand (his clean hand) through his hair, then retrieved his silver pistol. “I don’t know what I am. I don’t know what they’ve done to me.”

“Are you going to kill them?”

“Kill who?”

“The people who did this to you.”

He waved at the bloody corpse. “This?” As if he regretted the power.

She shivered. “They’ll kill me.”

“You can come with me,” he said with an offered hand.

“And do what?” She examined the hand and hugged her elbows more tightly.

“I need someone who knows how to work a computer. Killing people will only get me so far.”

Finally, she took his hand and pulled herself up. “More will come?”

He glanced towards the elevator. The counter above the door ticked floor five, four, three… “They’re already here.”

3.

Archive Pharmaceutical. My employer since I was nineteen. They pumped me with the shift stim in 07 and I became a Pull. I did what they asked: grunt work, mainly. When military commandos weren’t enough, Archive sold us to the government for an enormous sum. I remember the first time I fought an American. That was strange. But killing marines isn’t as hard as the movies make it seem. Especially if you can dodge bullets.

I killed a whole platoon when I was twenty-three. The thrill was worth the guilt, until they put me on the drug. You can’t feel thrill on the drug, just guilt.

When I was twenty-five they asked to pump me with a new drug. T-r46 made me more than a Pull. I could Push time, too. Mixing them made me almost too powerful.

T-r46 made me immune to the drug. I don’t think they knew that. But after I learned to Push they couldn’t control me. When they told me to murder an American senator, I killed them and walked out.

Of course, I walked out with a treatment of T-r46. They kept pumping me with it and I didn’t know if I would go through withdrawals without it.

They wanted the treatment back. But after Ashley started following me, I wondered if
I wasn’t more important than the treatment. After all, I injected the last of it before the fight with Naomi.

And they’re still coming.





Alixander Fey -> RE: Oracle Shift (2/14/2010 17:55:55)

4.

The alarm pulsed, blared, screeched for his attention. Jason pressed his temples and rolled over. Light poured from the open window, illuminating the room and the clock: 1035. He cursed and slid out of bed, then pulled on a pair of pants and stumbled into the kitchen.

Ashley sat at the table, shoveling eggs while she read a Spanish newspaper. She jumped when he entered the room. “Are you gonna put clothes on?”

He looked at her, looked at his bare chest, and shrugged. Then he scoured the cabinet for a box of cereal and sank into a chair by the table. She had left a bowl and spoon out for him. He poured the cereal and the milk, then said after a few bites, “Today’s the day.”

“The plant?” She lowered the newspaper.

“The office complex beneath it. We can’t get any more intel without giving ourselves away. I’d rather have the element of surprise than a map of the building.”

Ashley shrugged and scooted the chair back. “I’ll get the computers ready.”

“Nine o’clock tonight. Take the Honda and go into town. You need to relax.”

“What about you?”

Jason stared hard at his cereal. “I am relaxing. Don’t worry about me.” She disappeared into her bedroom, leaving him alone with his cereal, her dirty dishes, and the newspaper. None of the front page stories caught his interest. Rape gangs and drug traffic were dwarfed by the presence of a bioweapons lab six miles down the road.

When Ashley left, he returned to his room and retrieved his briefcase. He spilled its contents on the table and rifled through the contents. He had detailed files on each of the failed Project Oracle subjects, character evaluations of the subjects awaiting treatments, and a report on his own case.

Why am I the only survivor? Everyone else who took T-r46 died before the third treatment could be administered. Third of what? he wondered. I’ve taken five. How many treatments until the change is permanent? He also noted that every other subject was like him—a time shift. Project Oracle included no force or mind shifts. Why?

So many questions, and no answers. But he knew—

They’re preparing me for something bigger.

Project Shift began with mind shifts, and grew to force shifts. Time shifts like himself were a triumph of the late 90s. Now they’re taking it father with Project Oracle. He found no evidence of anyone trying to give a force or mind shift both sides of the gift.

So why him? And why the name—Oracle?

Oracles are like seers. Responsible for prophecy and prediction. Spiritual leaders; mystic authorities. Is it a play on words?

He felt like a demigod. The combination of Push and Pull made him unstoppable. Even Naomi hadn’t brought him down. Although their fight had been short. Is that was Oracle was about? Making him a master of time?

He dropped the files and his notes and rubbed his temples. His headaches were returning, each stronger than the one before it. Last night’s had been especially bad. Ashley wanted him to go to a doctor, but he had been careful about going out in the day. Americans attracted too much attention here. Jason wondered if that was related to the plant outside the town.

Finding a scrap of yellow paper, he wrote—Find source material. Scientists and theories that led to Oracle. Then he returned his notes to the briefcase and packed it.

Guns needed cleaning. The truck had blown a tire and needed a replacement. With a wry grin he remembered his coat needed dry cleaning. His washer couldn’t remove blood stains.

Oh, and—the house needed to explode.

5.

I need a distraction.

Jason saw his reflection in the revolving door as he passed through it: black suit, patterned sweater and bright gold tie, all covered in a flowing trench coat that clinked almost imperceptibly. He could have passed for a rich businessman, if only he had sunglasses.

Six security guards occupied the office lobby. And they were white, not Mexican. Above the three elevator doors hung the sign ARCHIVE PHARMACEUTICAL. One the guards nodded and directed him towards the metal detector. “I’ll need you to take your coat off, sir,” he said as soon as Jason approached.

The man in black smiled. Then he Pushed and crushed the guard’s throat with a punch. Before the other guards could react he Pulled hard and drew his pistol. Four shots; four corpses. Then he leapt over the desk and grabbed the last man by the back of the neck. He Pushed his face through the glass protecting the red button marked ALARM.

Jason smiled. A distraction.

6.

“Turn left, third door on the right.”

Jason clicked the radio twice and followed Ashley’s direction. The alarm had driven the security guards frantic but they were all concentrated on the upper floors. He had free reign of this lower level.

The door Ashley suggested opened to a deep stairwell. When he peered over the edge he saw nothing but black. “How far is it?”

Static as her fingers worked the computer. “Five levels. This place is deep. It must be one of Archive’s biggest offices.”

Jason remembered that office cubicles and filing cabinets had ended two levels ago. This entire floor was an armory. He Pushed and sprinted down the stairs, his hyper-fast feet making little noise against the metal steps. He reloaded his pistols and kicked through the door at the bottom of the well.

Two guards waited for him, machine guns trained on the door. Bullets sprayed towards him as soon as the door swung open.

Reacting on instinct, Jason Pushed and dodged to the right. One of the guards followed his motion, finger firm on the trigger. Backed against the wall, he had no choice but to Pull.

The bullets rolled towards him, two towards his shoulder, one towards his gut, and three towards his leg. Bending back, Jason slipped below the first bullet; then he rolled on one foot to dodge the second. The next two came simultaneously, so he back-flipped, pressed his feet against the wall and—Pushed.

He rocketed towards the closest gunner, fist first. With a sickening squelch he pierced the man’s chest, then wrenched his hand away and Push-kicked the corpse. His broken body toppled into the second gunner.

Jason leapt forward, Pulling while the second man recovered. He wrenched back on time, almost stopping his motion in midair. The effort brought the headaches back.

The guard almost had his gun trained on Jason but his Pull gave him the advantage. One foot knocked the rifle away and the other foot sliced into his neck. The man choked and grasped his throat, then staggered back. Jace snapped his leg at the kneecap.

Letting time flow its normal course, Jason staggered towards the room’s only door. His head throbbed from temple to temple, but he couldn’t stop to rest. He holstered one pistol and opened the door.

Beyond that door lay a bank of computers and smart boards mounted on the wall. The screens showed DNA stands, pixilated representations of blood plasma, and numbers. Three or four of the office lackeys glanced up when he arrived, but none of them moved to stop him.

Jason walked to the first desk. The man there hunched over his computer, manipulating a three dimensional representation of a DNA strand. Leaning over his shoulder, he asked, “What are you doing?”

He expected his question to shock the man. Instead, he turned calmly to Jason and said, “Trying to isolate what about your DNA makes you strong enough to handle T-r46. All our other patients have died.”

Jason fingered the trigger. The lackey’s calm façade dissipated and his chin trembled. “They said you wouldn’t shoot an unarmed man.”

He clenched his fist around the grip. “You’re one of the monsters.”

The lackey swallowed. “I’ve never hurt anybody.”

“You spend your life making human bioweapons.” He clutched the trigger and pulled. When the red spray faded the man collapsed against his desk.

His radio hazed with static. “Jason. I’ve lost you. Can you hear me?” Before he could reply the room erupted in screams as the office workers fled out the two narrow doors. He cupped his hands against his ears.

“I hear you. Anything on the building?”

“Nothing. My schematics say you’re in a empty warehouse, with only one entrance and no exists.”

His gaze darted across the room. “Schematics are flawed,” he said. “Tampered with for security.”

“Right. I’ll monitor communications. The mess you made up here is clearing itself up.” The radio clicked out and Jason examined the computer screen before him.

These people are studying my DNA.

Then he checked the next station. It held a character analysis and a record of his last known locations. The third station: medical data and diagrams of his body, his muscles, and his nervous system.

These people are studying me!

He rushed to the doors and into the next room. It was frenzied, as papers and printouts swirled and chairs toppled and tables screeched against the floor.

But in the middle of the room, raised over a white dais, was a holographic image of him, naked.

One man stood rigid amidst the chaos. He wore slacks and a dress shirt, with a blue tie loosened at the neck. His rolled sleeves revealed thick, powerful arms.

No one moved to stop Jason as he approached the silent man. With a wry grin the man watched him; a vein just below his hairline bulged unnaturally. "Jason Wright," he said when he was within ear shot.

Jason cocked his gun and said nothing.

"Welcome to my lab." The man crossed his arms. "Your lab, really. This is the Jason Center."

He swallowed and glanced around. "The Jason Center?"

The man motioned to the holographic image behind him. "As you can see, you are our main subject of study."

"Why me?"

"You survived the treatments. No one has ever survived the treatments."

He leveled a pistol. "Why? What makes me different?"

"That's what we're trying to find out. Of course, our samples are sadly lacking. We need DNA samples from each stage of the stim's development. And we have nothing from the last stage--after your fifth treatment. Naomi said you've had final treatment. How long ago--two weeks? A month?"

Jason lowered the gun. "A month."

"Nosebleeds? Or just headaches?"

He said nothing.

"Surely no blood from your ears?"

"Headaches."

The man laughed. "Then you have plenty of time. If you give us a few days to take blood samples, I can make the headaches go away."

"How?"

"T-x1, of course. The purpose of the Oracle Project."

"What will it do to me?"

The man threw his head back and laughed.

"Will I see the future?"

He laughed louder, so loud it hurt. "Can a fish see water, Jason? Not while it's swimming in the ocean. You can't see time. Not while you're swimming in it."

He wrenched the guns up again. "Then what is it?"

The man stopped and extended a beckoning hand. "Come with me, Jason. In three days, the headaches will disappear." The words echoed and rebounded inside his head, then repeated themselves in a seductive whisper: Come with me.

Jason clenched both hands against his temples and thought: Mind Pushing! This man was a shift, Pushing thoughts into Jason's head.

Before he could fire his pistols Jason heard a low growl. Then a dark figure charged him from the corner of the room. Jason Pulled and dodged the attack, then observed his foe. The man was naked, nearly seven feet tall, and covered in Stygian fur. His eyes were all yellow, with a splotch of black in the center and no whites on the edge. His fingernails and teeth grew inches long, and looked more metallic that natural.

A bioweapon! Jason thought. I thought Ferals were old technology.

The mind Push remained motionless but the veins in his forehead bulged. Jason wondered if he was Pushing the Feral. Then, before he could examine the question further, the creature-man charged again.
Jason Pulled and ducked beneath the Feral's blow. He Puhed his fist, but the blow didn't break skin, much less pierce organs. He Pulled, flipped over the creature, and leveled handguns. Bullets dug into its hairy flesh but no blood spurted.

The Feral swiped low, then thrust its neck forward. Jason squirmed away but the creature sank teeth into his side.

With a scream, Jason collapsed to the floor.

The mind shift laughed, then Pushed his pet back to his side. While he stroked the creature's fur, he said, "Tell me, Jason. Can you Push bullets yet?"

He screamed in rage and fired his pistols, but the Feral absorbed the blasts easily. The shift smiled and clasped both hands behind his back. "We always take care of our own, Jason. Since the day you kidnapped our star employee, we have worked tirelessly to find her. Mr. Smith would like me to thank you for bringing her to us."

On cue, Ashley's voice sounded over the radio. "Jason, something's coming. It's... It's huge."

The mind Push smirked and disappeared through one of the doors. His Feral panted and followed, blood dripping from his teeth.

Jason turned back towards the stairs and Pushed.




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